Clint Eastwood challenged himself to move outside his directoral comfort zones in Hereafter, but it’s the fluid and riveting tapestry is undone by supernatural overtones, says Stuart Wilson
It’s not often that you start filming when the director says ‘cut’, but then you don’t often get stories like Aaron Ralston’s, which Danny Boyle directed in 127 Hours. Stuart McColl watched the outstanding James Franco in the role Aaron Ralston
Stuart McColl trawls through his memory banks for the 10 best films of 2010 to come up with a combination of action, emotion and great performances
Look forward to the movies of 2011. Stuart McColl takes out his crystal ball to see the top 10 up and coming movies of the year
As far as the world of misleading taglines, trailers and marketing goes, Catfish might just sit at the top of a pile of movies that were intended for one audience but sold to a completely different one.