By Simon Roger Key, on Sunday, April 15, 2012
With Carancho, Argentine director Pablo Trapero creates a hard-hitting, doom-laden contemporary noir. Simon Roger Key revels in the assault
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By Simon Roger Key, on Sunday, April 15, 2012
Hipster horror drivel – Simon Roger Key didn’t enjoy the smug knowingness of Joss Whedon’s latest outing, The Cabin in the Woods
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By Sean Wilson, on Thursday, April 12, 2012
James Cameron’s Titanic sailed into box office and awards glory. His depiction of the tragic maritime disaster which claimed the lives of over 1500 people fuses an intimate love-story with the dramatic historial re-enactment. To mark 100 years since the sinking, Cameron’s film is on release once again, complete with $18 million 3D makeover.
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By Declan Cochran, on Thursday, April 12, 2012
Stories intertwine in 11:14, an original and darkly funny little gem, according to Declan Cochran
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By Declan Cochran, on Thursday, April 12, 2012
Declan Cochran takes a retrospective of Paul Thomas Anderson’s early Hard Eight and finds a thrilling debut that pointed to the director’s talents to come
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By Declan Cochran, on Wednesday, April 11, 2012
Declan Cochran trundled off to see The Devil Inside and found a horror movie that was more Spinal Tap than Blair Witch
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By Sean Wilson, on Wednesday, April 4, 2012
Engaging, funny, convincing and touching, Wild Bill is an assured directorial debut from Dexter Fletcher, transcending the stigma of British kitchen sink drama and benefiting from a clutch of strong performances from some of our finest character actors
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By Sean Wilson, on Wednesday, March 28, 2012
Movies are often a fascinating mirror onto reality and the Dardenne Brothers’ latest, The Kid With a Bike, is a classic, slice of life drama, featuring remarkably naturalistic performances, observant direction and a script mercifully devoid of rank sentimentality
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By Sean Wilson, on Wednesday, March 28, 2012
The Hunger Games is like a beautifully layered cake, and Sean Wilson enjoyed every bite
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