The Ozark Mountains of Debra Granik’s Winter’s Bone is a place of strict social order, maintained by silence and voilence. Nick Ingram takes a closer look at the chilling world
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Ever wondered why Mad Men’s Don Draper drinks and womanises so much? It’s because he’s carrying the weight of American history along with his own neuroses, says Nick Ingram, who takes a closer look at the show 
Nick Ingram admits it – he’s in love with Juliette Binoche… well, her acting anyway. And he can prove it. He takes a look at her acting, especially in her Cannes best actress award-winning performance Certified Copy and comes out, well, adoring her 
Nick Ingram takes a look at realism, surrealism and the aesthetic of cinema as demonstrated in two takes on French icons of Serge Gainsbourg in Gainsbourg and Edith Piaf in La Vie En Rose 
Nick Ingram takes a look at power, domination and free will in movies, taking Dogtooth, Agroa and The Girl On The Train as examples 
Today’s media is filled here are too many neurotics and not enough Odysseuses says Nick Ingram. Just take a look at Ben Stiller’s Rodger Greenberg, Mad Men’s Don Draper and Larry David’s Boris Yelnikoff. They ain’t no John Waynes! 
Life, like beauty, is fragile in Agnes Varda’s Cleo From 5-7, says Nick Ingram in his assesment of the French film of 1962 
Nick Ingram gives a run-down of a summer of film, with some of his top picks being Woody Allen’s Whatever Works, Alejandro Amenabar’s Agora, documentary La Danse: The Paris Opera Ballet, and the graphic-novel inspired Gainsbourg 
Plymouth’s film philosopher takes at look at the issues of guilt and morality in Nichole Holecener’s film Please Give, staring Catherine Keener |
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