Predictions for a digital film future from Exeter-based filmmaker and effects artist, Martin Lejeune (he’s also available to read palms and tea [...]
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Predictions for a digital film future from Exeter-based filmmaker and effects artist, Martin Lejeune (he’s also available to read palms and tea [...] With the musical film Nine released – a film version of the Broadway musical based on Fellini’s 8 1/2 – Nick Ingram takes a look at Fellini’s [...] The D+CFilm social network added a discussion about tips on how to get music for you film. Here’s some words of advice from Exeter-based filmmaker Martin Lejeune. Pop over to our social network to hear what Graham Sclater, of Tabitha Music and composer Paule Abrey had to say on the [...] The Dartington Barn Cinema is showing off its state-of-the-art digital film projection facilities with a live music and classic film [...] The Chagford Filmmaking Group is nearing its next shoot The Laidley Worm of Spindleston Heugh, which takes place on Dartmoor between August 11 and 16. Tom Austin’s has put his black comedy Man-Cub, made as part of last year’s Phoenix Bursary, on DVD to raise the funding for his next film, La Legende~Dali Rome and Juliet, Some Like it Hot, Slumdog Millionaire and Persepolis, which was in the 2009 Animated Exeter, are planned to be part of next bumper season of screenings at Topsham Film Society. Bill Edwards, a former Plymouth Student, had designed the opening creditis for director Shame Meadows new feature Le Donk and Scor-Zay-Zee. Elliot Grove, the fella who founded Raindance and the British Independent Film Awards, will get the first honarary degree from Plymouth College of Art, and marks a closer association of the college with the Raindance crew. |
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