http://www.devon-cornwall-film.co.uk/2009/12/30/the-decade-in-which-film-dies%e2%80%a6/ D&CFilm is the best place to come for the world of film in Devon and Cornwall. D&CFilm is for film lovers, filmmakers and all those who enjoy the moving image. There are reviews of latest releases and DVDs plus film features, film interviews and film news. Tue, 17 Jan 2012 11:57:05 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://www.devon-cornwall-film.co.uk/2009/12/30/the-decade-in-which-film-dies%e2%80%a6/comment-page-1/#comment-15298 Nick Fri, 01 Jan 2010 11:32:16 +0000 http://www.devon-cornwall-film.co.uk/?p=5106#comment-15298 They had the same arguments over the coming of sound in 1929-30. When some mourned the death of the silent cinema as an art form - how wrong they were! What all this will bring is a more creative choice to the art of film making - a creative choice that will be a joy to watch. They had the same arguments over the coming of sound in 1929-30. When some mourned the death of the silent cinema as an art form – how wrong they were! What all this will bring is a more creative choice to the art of film making – a creative choice that will be a joy to watch.

]]> http://www.devon-cornwall-film.co.uk/2009/12/30/the-decade-in-which-film-dies%e2%80%a6/comment-page-1/#comment-15248 Robin Whenary Thu, 31 Dec 2009 14:01:29 +0000 http://www.devon-cornwall-film.co.uk/?p=5106#comment-15248 Great article, Martin. One of the factors as regards film vs. digital is how much quicker it is to edit digitally. Tarantino, who is a diehard film supporter, started to edit 'Inglourious Basterds' in his usual way cutting and splicing, but in order to make the Cannes deadline was forced to edit digitally. A slightly concerning tendency I think is a general over-reliance on over-the-top grading, which will hopefully reduce when it becomes less of a novelty. Great article, Martin. One of the factors as regards film vs. digital is how much quicker it is to edit digitally. Tarantino, who is a diehard film supporter, started to edit ‘Inglourious Basterds’ in his usual way cutting and splicing, but in order to make the Cannes deadline was forced to edit digitally. A slightly concerning tendency I think is a general over-reliance on over-the-top grading, which will hopefully reduce when it becomes less of a novelty.

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