
Jonathan Dupont’s first film was a feature-length period piece while he was still at school (Torquay Boys Grammar School, the same alma mata as that most famous of DPs, Roger Deakins), and he’s currently planning to put together a cast and crew for his next feature, to be made this summer.
We caught up with him to gather together some of his ideas on film, the industry and the south west.
Q: Your first feature was To Swim With Angels, what was that about and did it change your approach to filmmaking?
A: To Swim With Angels was a medieval romance, Romeo & Juliet with more sword fights I guess. It was the first thing I ever finished so I’m not sure I’d say it changed my approach as such, but what it did impress on me was just how much you could achieve with (next to) no money. We had guards on horse back, castles, built a village, storms, umpteen locations… all the things the books tell you not to do.
Q: What have you been doing since then?
A: University, mostly.
I did make another feature at university called Autumn - a modern day Robin Hood destroys his life as he desperately tries to raise money for charity - but it was rather more small scale. We did get to film at the Oxford Union though for the ball scene, which was quite fun.
Q: What’s the next project?
A: It’s called The Machine in the Ghost. It’s the near future, and the first human genetic augmentations are on sale, although only affordable by the rich. Luke is the most advanced prototype in the world - and so when he goes on the run, his company are determined to get him back.
Q: Why a feature film?
A: I prefer longer stories, more sophisticated plots, deeper character arcs - same reasons I prefer a novel to a short story.
Q: What are the main challenges in putting a film together?
A: This sounds very glib, but the basics: writing the script and raising the money.
Q: Where do you show your films - what’s your experience of film festivals?
A: I’ve never been to one to be honest, although hopefully by the time this is finished in a year or so, that’ll have changed.
Q: Stylistically, where do you get your influences?
A: Normally, whatever I’ve watched last, to be honest. Even if you hated it, you think about how you’d have tried to do it better.
Q: Where do you see your career going, and would you be interested in staying in the south west?
A: Who knows?
The one thing I have thinking a lot about lately is that its easy to get pessimistic as it seems harder and harder to sell independent films or to make a career in the media - but, on the other hand, with the march of technology its never been easy to make any film you want to If you’re prepared to see a project through just for the love of it, there’s really nothing to stop you making whatever you want, wherever you want.
Q: A lot is being made of the South West being a centre for the creative industries. What’s your experience?
A: I’ve mostly done things on my own or with friends so far. I’d be interested in finding out more though.
Q: Indiana Jones or Prince Caspian?
A: Indy.
————————————————————————————
Has this information been useful?
If you liked this story, you could buy us a coffee