There’s a danger that calling Nick Broomfield’s Ghosts haunting might seem trite, but the director’s take on the account of the death of 26 Chinese cockle pickers in 2004 is a powerful tale of economic migration.
The story is based on real events and partly inspired by Hsiao-Hung Pai’s Guardian articles. And the title is from the term the Chinese use for white westerners, but could refer to themselves, gaunt and dazed as they are, living in a twilight world of low-skilled, low-paid work, ignored or overlooked. Then there’s the legion of illegals who populate the fringes of the economy. And, after all, the story is something of a memorial.
Broomfield follows the well-worn track of authenticity – shooting undercover, using non-actors, that verite feel with the camera – but that on its own doesn’t hold a story together, and even the most worthy of tales could disintegrate just by ticking those boxes. Instead, you have fine performances and a restrained lack of intrusion which builds up a deeply personal journey, and could teach those real ‘reality’ programmes a lesson or two.
Broomfield follows single mum Ai Qin (an unselfconsciously restrained Ai Qin Lin in her first role) as she leaves her Chinese home, and embarks on the six-month journey to the UK only to find herself even more trapped in a world of gangsters, poorly paid work and the looming threat from the human traffickers in the UK and back at home in China. She becomes part of a household employed in the food industry. After losing their base in Norfolk, the crew heads up to Morecombe in search of work picking cockles, and are pushed further to the margins.
This country has an often overlooked tradition of strong, socially aware documentary making, one of its strengths being the creation of a narrative without imposing a story, and Broomfield carries if off with aplomb, stepping over that thin line from documentarian with great effect.
So the next time you buy cheap food, or read the latest story of illegals and you get that cold shiver running down your spine, ask yourself, is Ghosts haunting? You betcha.
Ghost opens at Plymouth Arts Centre on Friday, March 30, and the Exeter Picturehouse on w/c April 6.
Check back to D+CFilm for trailers and more details of this and other releases.
Posted by Cptn.
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[...] Don’t get pulled along by the Daily Mail’s, et al, next dodgy debate about migrant workers. Instead do something useful and watch Nick Broomfield’s Ghosts, which is coming to the region, and understand the plight of people who are exploited by human traffickers and unscrupulous employers (cheap food anyone?). [...]
[...] Home « Ghosts review [...]
[...] Nick Broomfield’s Ghosts, the story of the Chinese cockle pickers who died in Morecombe, opens at Plymouth Art Centre tomorrow (to be followed soon at Exeter Picturehouse). An eye-opening account of the plight of migrant workers – and a good film to boot. [...]
[...] Ghosts (15) Click here to read D+CFilm review [...]
[...] We’ve been promising you an interview with Nick Broomfield about his latest movie Ghosts and here it is. Click here to read D+CFilm’s review of the film, or scroll to the bottom of this interview to watch the trailer. Ghosts is at the Plymouth Arts Centre until Thursday – see our arthouse roundup for details. [...]
[...] Ghosts (15) Click here to read D+CFilm review [...]